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Showing posts with label architectural office in Sweden. Show all posts
Showing posts with label architectural office in Sweden. Show all posts

Sunday, 17 August 2014

ABOUT LA MODULOR

LA MODULORis about female proprotions etc in the grammar in architecture, Of course in history the mens body and mind has been the issue. For example who I studied in Paris was Le Corbusier Vitruvius etc The old grammar in Architecture I call my study LA MODULOR The study is based on observations om my own body and mind and space and time. To me art and architecture connect more and more on an deeper plane inside the human as archetypes I will problematize the research with this examples image of paintings of LA MODULOR (2013 ) but there is also connections in my architecture projects 


Representation on female apperance 2013 Painting in acrylic Agneta Eriksson Hilden




                                              The apperance of LE MODULOR 1945


I return to Le Corbousier Vitruvius and the old grammar in architecture in a future text what I found relevant for my own study and methods

Samuel Weber on Charles Sanders Peirce 2001
This interpretant is itself split. It operates by reffering to previously established interpretation, and hence is retropestive: but it also, at itself a sign, anticipates and depends upon subsbequent interpretations It is both retrospective and prospective. Considered abstractly, as an isolated process, this process of semiotic interpretation would be unlimited, and hence would, by itself, dissolve in total indetermination

Here the background from Pierce come very important for the relevans
Wikipedia September 10, 1839 – April 19, 1914) was an American philosopherlogicianmathematician, andscientist, sometimes known as "the father of pragmatism". He was educated as a chemist and employed as a scientist for 30 years. Today he is appreciated largely for his contributions to logic, mathematics, philosophy, scientific methodology, andsemiotics, and for his founding of pragmatism.An innovator in mathematics, statistics, philosophy, research methodology, and various sciences, Peirce considered himself, first and foremost, a logician. He made major contributions to logic, but logic for him encompassed much of that which is now called epistemology and philosophy of science. He saw logic as the formal branch of semiotics, of which he is a founder. As early as 1886 he saw that logical operations could be carried out by electrical switching circuits; the same idea that was used decades later to produce digital computers.[11]


                                                      The apperance of  Charles Sanders Peirce 

My further comments on this:

Movement in space and time
For ex you can measure the room with your sences You can feel the wall when you stand close to it It talks to our sences probably with material energy that is moving You can almost hear the sound of the wall More obviously appearance has for example a smell that can show you how to walk in the room etc It can give you a scheme how to move and then you also can make people move in a specific way with a smell in the room then its an method that can be developed by architects planning in space 
There is the wall and there is also the metaphor of the wall Two alike and different things In reality you can move in the room with your body and in your mind you can move with the metaphors in different way The metaphor has its own language and can appear in a semiotic way ( see Pierce ) I ts with the metaphor our senses and feelings mind and brain connects and effects with the wall. It’s a division of the thought-feeling-action-intelligence
This can turn in to a method with who we can learn and treansform in space and time
It is nearly connected to our bodies today Not necessary in a holistic view wich is more something you move forward to So you can create with metaphors many different rooms in your mind Every room can have different appaerence and play a differenr role in the research Then you also can fins what is rare, and there is where my interest are, by a excluding process
This is how a transformed the classic grammar into my female point of view Of course you have to know the rules first to change the whats in it Somehow Im sorry that he School only told part of the story when I was a student But we don’t have to repeat those mistakes for ex now when we write scripts and algoritms exploring the advanced technology around construction business for ex Fluid dynamics for ex how a drop of water affects an airplane wing But have to find limits how we can explore he female suggestions,to do it relevant I wont forget Queer etc

Other methods is for ex to study history of image letters language So to say semiotic and semantic that I think should be holistic point of view but for science you divide it


That’s whrere the images of a Bison in French caves wellknown in arthistory gives us a clou. I see the Bison on the wall of the cave as image and letters put together more like hieroglyphs Art is its own language With an own inner logic and grammar Architecture is also its own language, autonom. But today we find connections between them in metaphors in mind and that’s were the Bison and caves lead us. It ´s close connected to Homo Ludens
There is always something to split in the whole a method wellknown from postmodernism that we explore here


Digital version







There are some populistcs thougt about caves in postmodernism and archeologi today I think its necessary to find methods like this with LA MODULOR to explain the apperamce of the Bison today and to transform the old grammar of architecture to a more female statement. A balance with mens appearance in architecture and science etc, in the built society and materia etc from a womans point of veiw 



Otherwise we will create empty rooms.

Saturday, 7 June 2014

..





STATEMENT  Hashtags #Agneta Eriksson Hildén
SOME CONTEXT

#
I create books about other architects work Its to reflect on myself
#
In the beginning that was  Arts and Craft in Sweden rationalists from Italia  throu Heidegger Derrida and Wittgenstein with its own time to own experiences in the 2000 . Almost every architectural project starts from base forms the cube the sphere etc. Even thou computing with polygons in my preferable software MAYA.  Always problematiseed from an painters  poit of view and the intuition of color and colorsystem från Gothe and own experience with own systems



                        



WHAT IS RARE

I try to develop my own thougts and methods of thinking
#
To develop the society force it forward. To put the light in minorities throu the net and give voises to marginalisesed groups I thing the globalisation gives many people great starts to new lifes weather you move to a new country or just reflect on a different culture Think absolutelty we should build colonies in mew parts of universe to give us on the Eart our mentality and thouts a wider space.






#
Lowpower is the growing force that gives new groups in our society new possibiities For ex as an architect/developer I use my power to develop equal rooms in differerent ways, economic gender culture etc
To work fot the great mass instead of some exclusive opporunities

#
As in Art the architect has his own voice body and mind to express The process to project the visions are just the tool th express with But at the same time different tools gives different opportuniteies and manifestation
#
I add a language to the built to create possibilities to move the architecture forward, poetry inner pictitores ,memories, philosophy, art, science, tecnic etc

#

The artist process can be direct translated to the work of an architect is to prefer that the result is art with a symbolic content


#
Media dupe us with twodimensionella images Has an enorm impact and can as internet be used as  masspropagande for different groups. But also for speartime But there are also culturalel poetic pedagogic use that can be explored in the future
#
Its the memory that gives us the reason to create sites. Not obviously sites with built houses in material with its form and history and as an architect try to coop with that when you do your own proposal  I think the site is more influenced by our own experience in life and how for ex how our senses has reflective them. Site can also be when you measure out an area and own it
. #
Its about female proportions etc in the grammar of architecture Of course in history the
men`s body and mind has been the issue My study is based on observations on my own body and mind and space and time To me art and architecture connect more and more inside the human as archetypes I problematize the study with paintings, acryl on canvas in my art and my study


#
For example you can measure the room with your senses You can feel the wall when you stand close to itIt talks to our senses, probably with material energy that is moving You can almost hear the sound of the wall More obviously appearance has for example a smell that can show you how to walk in theroom etc Itcan give you a scheme how to move and then you also can make people move in a specific way with a smell in the room - then it’s an method that can be developed by architects planning in spaceThere is the wall and there is also the metaphor of the wall Two alike and different things In reality youcan move in the room with your body and in your mind you can move with the metaphors in differentway The metaphor has its own language and can appear in a semiotic way It’s with the metaphor oursenses and feelings mind and brain connects and effects with the wall It’s a division of the thought-feelingaction-intelligence
#
This can turn in to a method with which we can learn and transform in space and time
It is closely connected to our bodies today Not necessary in a holistic view which is more something youmove forward to So you can create with metaphors many different rooms in your mind Every room canhave a different appearance and play a different role Then you also can find what is rare, and there is where my interest are, by a excluding process
#

This is how I transformed the classic grammar into my female point of view Of course you have to knowthe rules first to change the what’s in it

#
A balance with men’s appearance in architecture and science etc, in the built society and materia etc, froma woman’s point of view
#
 we will create empty rooms in the future if we don’t develop our symbolic universe
#
Architects definitely should look behind the curtain as art more sponatanies do You don’t now yourself until you now your alter ego

#
What is impossible and rare is to explore

Agneta Eriksson Hildén 2013-05-20                     ...

Sunday, 19 January 2014

 Architectural work, artworks, books has been awarded and merited internationally over the years

 Selected examples


Freeze
Perspektiv
Svenska Dagbladet CITY
Politiken
Brutus Casa
Månadsjournalen
Svenska Dagbladet
HENNE interior
Dagens Industri
Designtidskriften FORM
Elle Interior
Arkitekttidningen
Blogs
communities
ONLINEGALLERIES
Saatchionlline
ARTSLANT

Wednesday, 15 January 2014

FRENCH BAGATELLES IN ARCHITECTURE

A photo and a drawing – French bagatelles 

I will now focus on places in the memory that gives us the reason to create sites. Not obviously sites with built houses in material with its form and history and as an architect try to coop with that when you do your own proposal in architecture I think the site is more influenced by our own experience in life and how for ex how our senses has reflective them.
It’s a site in the memory I lived on 6ème étage in Paris seventh arrondissementTogether with other foreigners in Paris near Place Blanche A big family from a French colony were a child was born in when I lived there and the proud father sat in the telephone all the time I think that was his only space he had in this little room Lucie who had been a prostituted under to world war could speak many languages, She have a picture of a soldier on her wall. I ask who he was and she said it was her husband The French houslord was married to a 40 year younger American baletdancer that had travel all over the world with her dancecompany She had the so called Cat room up o 6ème étage a room with a bed and a table and lots lots of pictures on cats. And lots of other lovely people. I still have a suitcase there in the cellar. My room was the only room that had to Cockroaches It was here I started my transformation 




Only 100 meter from this house on Rue the Bruxelles it was a little park I passed it every day It was almost no one sitting there Maybe there was a sofa The vegetation was surrounded with an fence It had a shadow over it The wind stood still there I always had a quick look at it

Last week when I was reading Walter Benjamin Walter Benjamin planned many journeys with his friends but he always cancelled them just before he was go
 I saw a dusty pictures of a park and a road and suddenly I recognise that it was the same park at my road in Paris Walter Benjamin had seen it. I was amazed the Park at its site cant be dead or sleeping it must be something with it

Absolutely in the history our senses had about the same experience but in different times 

Somehow he also lived far away from the bookstores in Marais.

I think that the artist is absolutelt unsecure maybe scepticIt’s a big problem for him to be a part of a social life He can ve ignorant paranoid to sensitive etc 

But the picture in the book made me believe in my senses he couldn’t cheat on me with this observation of a park I believed in what I saw We had probably over some time the same picture in our memory

I couldn’t hesitate the pictures about gallerias in Paris in the same book This well known architecture that made a great impact on me

When I come home from Paris I was sitting in an architectural office in Old Town in Stockholm The head of the office bent over me at my table and said very fast -Can you do some sketches for a galleria in Stockholm Its going to look a little as Old Town. - I return to you tomorrow.


I did these sketches very fast:












Paris cafés restaurants shops was strong in my memory It was a lively and a live culture Old town seems to me a bit picturesque I wondered would a modern galleria look like some old places Maybe not. The office was famous because they produces what was called pastiches.


The day after the head of the office, the businessman, came to me He showed me that he was disappointed and told me that he was going to do his sketches himself. Now its built and I leave you to your pictures inside about the place, Sturegallerian.


Later I have to have out with my chef by recommend him some books that was my point of view I never know if he understood


I will 29 years later put it on a another site my website and the virtual world seems banal compared to humans inner life and its sites


I stay with this, leave any analyses to the reader and for a discussion I like the reader to do that himself this time with the pictures and storys behind and leave you alone with my 2 bagatelles.


Agneta Eriksson Hildén

Tuesday, 14 January 2014

SELECTED WORK

CV AGNETA ERIKSSON HILDÉN


CV
för Agneta Eriksson Hildén 5903287620

Skyttevägen 18 A
13336 Saltsjöbaden
Stockholm,
Sweden

info@cinearchitecture.com

Homepage

http://filepublishing.blogspot.se/

Profile at
LinkedIn


Education

Natural Science College 1978

Royal Institute
of Technology Architecture 1978-1985

Thesis in Paris
1985 at the Swedish Institute on abstractions in the architectural room

University College of Arts Craft and Design Painting 1984

Nackademien Education
on 3 D MAYA Software bl a 2004

Royal Institute
of Art Architecture School
Romantic 2006

Several courses
in economic, business in Construction, Art and Architecture 1978 2012




Employee

Sundell arkitektgrupp 1981-1984

Kindergarten
Housing
Villas


Lundqvist och Bergkranz 1986

Renovation of
typical City house in Stockholm
from 1901,
Office in Stockholm


Malmqvist och Skoog 1988-1989

Offices
Sturegallerian
Public bath

WHITE 1990

Several competitions
Arena


Own business 1993-

CINE arkitektur CEO
owner 2005 -

Private persons
Interior design
Renovation of a
church


CreFAST AB coowner development Real estate 2006 -

Architect
developer, a Master plan with 1500 apartments, service etc near the sea, to be
built
Architect
developer, student houses outside Stockholm
early stage


FILE Publishing CEO owner 2006 -

Publishing audio
files on debate on architecture Thinking out Loud.


Eriksson & Ronnefalk Publishing House CEO coowner 1996 - 2004

Editing and
publishing books on architecture art and philosophy


Architectural
Competitions in Sweden
and Internationally

Fatbursparken
1987 Central Park in Stockholm

Helsingfors Park
2005 Park in Helsinki

Townlibrery in
Stockholm 2006

Culture Center in Helsingör Danmark 2007

Several living
houses competitions internationally 1987-2012

House for a
Parish in Lund 1996




Exhibitions with my ,paintings, Art in Sweden
and Internationally


Kvinnohuset 1990

Copenhagen Industrien
1991

Separatutställning
Galleri Strömbom 1992

Galleri Mejan 2006

Swop Art Gallery 2011

Curated for a collection by Rebecca Wilson at
saatchionline 2012


Eriksson &
Ronnefalk Publishing House

Villa Spies,
1996 author Mikael Askergren

Bengt Edman, Complete
works 1998 editing

”Den sista bilden” author Sven Olof
Wallenstein

Several other
published pamphlets etc



Architectural
Competition in Sweden
and International

Fatbursparken
1987 Central Park in Stockholm

Helsingfors Park 2005 Park in Helsinki

Townlibrery in
Stockholm 2006

Culture Center in Helsingör Danmark 2007

Several living
houses competitions internationally 1987-2012

House for a
Parish in Lund Stockholm 1996

DEBATE ABOUT RENOVATION SUBURBS IN STOCKHOLM

A million for a million


Det finns en pågående debatt om renovering av Miljonprogrammen i Sverige  Debatten  tycks idag vara på idé och t.o.m drömstadiet Spridda engagemang bildar en helhet men det känns som om vi trots allt börjar inringa vissa frågeställningarna bland beslutsfattare, politiker, byggentreprenörer, arkitekter konstnärer etc  

En del exempel har redan genomförts då man livar upp fasaderna och gör det färggrannt och i en stil som känna ”up to date” Entreérna görs om till en slags radhusentreér som liknar ett försök att öja statusen Dessa ansatser ifrågasätter jag medför någon kvalite socialt ekonomiskt kulturellt, det finns andra t ex subtilare sätt att skapa variation Det skulle vara ett kostsamt misstag att genomföra som skulle bidra till ytterligare stagnation och segregation decennier framöver.


Det behövs andra nya initiativ


John Ruskin skriver ang restaurering av byggnader i Seven ”Lamps of Architecture”,  1849

“That peculiar character, however, which separates the picturesque from the characters of subject belonging to the higher walks of arts (and this is all that is necessary for our present porpose to define ) may be shortly and and decisively expressed. Picturesqueness, in this sense is Parasitical Sublimity”

Restaurering blir här en konstart.

Vad man kan se att begreppen renovering och restaurering går in i varandra i denna fråga jag kommer hädanefter använda begreppet restaurering, då jag anser att detta är moderna byggnader värda att iordningställas delvis bevaras på till ett funktionsmässigt ändamål etc




Orsakerna till ett snabbt utförande och med låg kvalité inom byggande beror nog ofta på politiska felbeslut.Det finns också orsaker att finna i ett tidigare skede Sverige har ögonen på sig vad gäller invandrarpolitiken FN:s råd om Mänskliga Rättigheter gav 2010 Sverige en rekommendation att se över den svenska invandrarpolitiken. Sverige rekommenderas bli bättre på att te x motverka hatbrott. Stigman måste bort och vi måste med öppen famn ta emot våra nyanlända.


Jag bidrar till debatten med mina tankar och idéer från erfarenheter, arbete i  tex utvecklingen av ett bostadsområde med grön och social hållbarhet med 1500 enheter i tidigt skede nära Stockholms City som arkitekt/developer, uppdrag i att utveckla Miljonprogrammsområde socialt, kulturellt, ekonomiskt och tankarna är riktade till likande områden i Europa och världen över. Tex i delar av Afrika där det drivs en liknande fastighetspolitik bedrivs idag



Lite av mina tankar just nu:

Om vi restaurerar skulle vi kunna göra lägenheterna mer flexibla, enklelt ombyggbara En slags ”open housing” som kan anpassas efter varje boende. sk slutkund på ett enkelt sätt. De boende skulle kunna vara med och reparera sin lägenhet och på så sätt kunna bo kvar vid ökade kostnader för boendet Dessutom blir det skräddarsyttvad gäller kultur religion etc

  Det vore bra om varje hus eller område var ett slutet ekologiskt system i möjligaste mån Man ska förstås göra en grön varsam restaurering av installationerna Delar kan återvinnas och delar måste bytas ut. Stommarna kan man bygga vidare på

Fasaderna tycker jag ska restaureras i dess ursprungliga form i möjligaste mån Med högre kvalité och långsiktigt tänkande, bevarande av dess kulörer och starka modernistiska uttryck. Detta är ett kulturarv att bevara.

Tycker absolut att de skivhus som finns i tex Bredäng kan vara mycket vackra med sina gröna gårdar

Man kan lätt se Le Corbusier visioner i dem med med mycket som luft och rymd som han skapade med bl a le Le Modulor som utgångspunkt, ett proportioneringssystem som han tyckte sig se globalt och försökte bevisa.


Intressant för oss alla vore att komma in i hemmen och äta en måltid tillsammans och ta del av varandras  olika kulturella bakgrund Grundläggande värden som vi har gemensamt är oändliga Men detta är varat som folkvandring skapat och som Martin Heidegger skriver i ”Varat och tiden” 1927 utgår varat från omsorgen.

Tror ej på en övertro till historien i ett te x ett projekt att restaurera Miljonprogrammen, även om jag förstås ej tycker vi ska vara historielösa Alla människor har sina rötter och sin historia, alla länder har sin historia trots globaliseringen där allt givetvis tycks ske i nuet


Framöver ska det byggas mycket bostäder igen pga ny bostadsbrist, framförallt i urbana områden och vi har mycket att lära av misstagen kring Miljonprogrammen Låt oss inte lättvindigt välja markområden, enkla standardiserade finansiella lösningar, ogenomtänkt estetik etc och låt oss framförallt inte glömma de boende som med en finansell term kallas slutkund.


Jag tror på att arkitekter i Sverige kan bygga bort delar av problem, att det faktiskt går att bygga bort problem i värlfärdens Sverige Tror vi svenska arkitekter ska våga tro på det Ett sätt är att arkitekten arbetar för slutkund och som konsument måste man också få inflytande


Som arkitekt/developer  i restaureringen av Miljonprogrammen förslår jag


Restaurering av fasader till en högre kvalite men bevarande av dess uttryck.


Öpnna flexibla lägenhetslösningar sk ”open housing” anpassade till varje boende tex en familj


Grön varsam restaurering av installationer genom svenska innovationer, restaurering av stommar


Omsorg, skötsel om gensamma ute och innemiljöer, t ex av de boende själva


Finansiella lösningar där slutkund ges inflytande ekonomiskt, arbetsmässigt etc och får då också ekonomiska lättnader i sitt boende De som hyr kan själva restaurera sin lägenhet trapphus etc och få avdrag på hyran


Ge de boende inflytande i hela restaureringsprocessen så att de ekonomiskt ges möjlighet att bo kvar, ges en röst vid sidan av andra inblandade


Grundläggande är att alla människor har lika mycket värde måste bli ett begrepp i byggandet, utgångspunkten bör vara win-win med de boende i restaureringen av Miljonprogrammsområdena


Många fler aspekter har förstås kommit upp när jag skrivit om detta men detta bildar en utgångspunkt

Detta är en ansats till debatt kring frågan men jag kanske får nöja mig med att förstå historien

Det är många krafter som styr i vår värld
.


Gärna kommentarer eller kontakta mig om Du vill ha en vidare diskussion ?


Agneta Eriksson Hildén arkitekt SAR/ MSA

CINE, FILE CreFAST AB